The song lurches into a churning rock- crusher riff that redirects the high- speed fury of the first half of the song into pure sledge, stomping inexorably forward as Tom Araya spits out the lyrics with the most vigor he has anywhere on the album, the tension building and building and building as the riff becomes more elaborate and the beat becomes more insistent before suddenly blasting to warp speed again for the solo section and grand finale.Soundtrack to the Apocalypse is a box set by the American thrash metal band Slayer.Slayer approached the record company regarding a box set release.
South of Heaven and Reign In Blood. I have the original Def Jam and the remastered version and have always wanted to get a Japan version just dont know which one is the original release. Slayer are reissuing 10 of their albums on vinyl and Loudwire and Noisecreep have teamed up with. Win a Set of 10 Remastered Slayer Vinyl Albums Slayer - Reign in Blood - Reviews. This revision of my old review of Reign in Blood has been a long time coming. Terminator genisys free fullI did not and still do not particularly enjoy this album, but considering that Im pushing an unpopular opinion on a much- beloved thrash metal album, I think it deserves more than the old, naive, frankly somewhat embarrassing review I wrote for it so many years ago, especially considering that Ive more recently listened to the three other classic Slayer albums (Hell Awaits, South of Heaven, and Seasons in the Abyss) and the greatness of those three albums (especially Hell Awaits) brings the shortcomings of this one into sharper focus. Rumor has it that part of the reason this album sounds like it does is because the members of Slayer had been listening to a lot of Metallica and Megadeth and were bored by the repetition of guitar riffs in those bands work. Indeed, in some ways the songwriting on this album is like a mirror image of Master of Puppets- -whereas Master of Puppets endlessly belabored its limited set of riffs, throwing in countless superfluous bridges and transitions that do little besides pad out the running length and test the listeners patience, Reign in Blood feels like musical ADHD, lurching seemingly at random from riff to riff and section to section with little effort made at shaping these collections of violent riffs into actual songs. The riffs are strong on an individual level, but theres no songwriting context to put them in. Compounding the problem is the relentless uniformity of the songwriting- -the tempo seems to be essentially the same 2. Aside from the first and last songs (more on them later), the tracks run together with the transition between (for example). Nothing stands out of the amorphous pile of riffs, and they just sail through one ear and out the other, even if they might individually be good riffs when pulled apart from their nearly identical kin. The sound on Hell Awaits was just about perfect for the sort of music Slayer play- -it was clear and sharp but also raw, with an amazing cavernous reverb to the rhythm section that enhanced the albums malevolent atmosphere. With this album, they enlisted the services of the eminently overrated Rick Rubin, who has brought the best technical recording techniques 1. Dave Lombardo sounds like his drums are made of plastic, the bass has been sent to the concentration camp, and the guitars are oversaturated with distortion and almost like a precursor to the hideous. Gone are the rumbling, threatening double bass runs, incredibly forceful snare flams, and tricky drum fills of his earlier performances, and he mostly sticks to a single. Kerry King likewise seems to be phoning it in with his leads, hitting notes seemingly at random without any regard for coherent phrasing while apparently unable to distinguish between his whammy bar and his penis. He jerks that thing so hard youd expect it to smack him in the face. However, when this album gets its shit together, it completely destroys. ![]() ![]()
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